This November, the worlds of art and science converge under one roof as Teatro Meron brings fire and
fury to the Mind Museum. Known primarily as a hub for scienƟfic discovery, the museum will, for the
first Ɵme, transform into a stage for live theater.
In collaboration with Eastern Communications and Tunog at Liwanag sa Teatro Inc. (TLT), Teatro Meron
presents Ang Medea, National ArƟst Rolando Tinio’s Filipino adaptation of Euripides’ classic tragedy
Medea. The production marks a bold fusion of intellect, arƟstry, and human emotion, bridging myth and
modern reflection.
Following a well-received run with Tanghalang Ateneo, director and Teatro Meron founder Ron
Capinding returns to the piece, leading a strong ensemble headed by Miren Alvarez-Fabregas, who
earned critical acclaim for her portrayal of the vengeful Medea.
Explaining his decision to revisit the material, Capinding reflects,
“There’s so much to learn from a classic like Medea. Some plays reflect the present, others uncover the
past, and a few imagine what’s to come. A true classic can do all of that—and even more.”
In this retelling, Ang Medea confronts the fragility of human dignity and the devastaƟng choices it can
inspire. The story centers on Medea, a woman who gives up her homeland for Yason, only to be
betrayed and cast out in a foreign land that never truly accepted her. Her struggle contrasts sharply with
Yason’s belief that dignity can be traded for power, privilege, and ambiƟon.
Opposite Alvarez-Fabregas is Brian Sy, a seasoned actor recognized for his work in Ang Duyan ng
Magiting (2023), GomBurZa (2023), and Midnight in a Perfect World (2020). Alternating in the role of
Yason is Yan Yuzon, who previously played the same part to praise for his intensity and emoƟonal
range—from blistering fury to aching remorse.
Ang Medea will run at the Mind Museum Special ExhibiƟon Hall, Bonifacio Global City (BGC) on these
dates:
- November 13, 14, 20, 21, 27, 28 | 8:00 PM
- November 15, 22 | 3:00 PM and 8:00 PM
- November 16, 23 | 3:00 PM and 7:00 PM
A rising force in Philippine theater, Teatro Meron aims to rekindle the relevance of classical works—
sparking thought, empathy, and conversation among modern Filipino audiences.
Capinding elaborates on his company’s vision:
“I want to stage not only great classics, but also modern and contemporary plays that share their
timeless spirit—pieces that entertain, enlighten, and uplift. In Filipino, nakaaaliw, nakatatalino, at
nakapagpapabuti.”
The producƟon also features Teroy Guzman (Kreon), Joseph Dela Cruz (Egeo), Katski Flores (Yaya), Joel
Macaventa (Maestro), and Gold Soon and Pickles Leonidas (Koro).
Behind the scenes, Tata Tuviera designs the set, Ian BauƟsta handles lighƟng, and Zak Capinding craŌs
the soundscape. Gabrielle Barredo leads producƟon management, with Mar Suesmith as stage
manager, Albriz Bagsic as technical director, and SanƟ Caruncho providing graphic design.
Tickets are available at https://tinyurl.com/angmedea.
For updates, visit www.teatromeron.com or follow @teatromeron on Facebook and Instagram.