{"id":40597,"date":"2023-02-28T08:04:46","date_gmt":"2023-02-28T00:04:46","guid":{"rendered":"http:\/\/www.teampcheng.com\/blog\/?p=40597"},"modified":"2023-02-28T08:04:49","modified_gmt":"2023-02-28T00:04:49","slug":"empire-of-light-beams-on-kindness-and-acceptance-at-the-backdrop-of-the-almost-forgotten-art-of-manual-film-projection","status":"publish","type":"post","link":"http:\/\/www.teampcheng.com\/blog\/entertainment\/movies-entertainment\/empire-of-light-beams-on-kindness-and-acceptance-at-the-backdrop-of-the-almost-forgotten-art-of-manual-film-projection\/","title":{"rendered":"\u201cEMPIRE OF LIGHT\u201d BEAMS ON KINDNESS AND ACCEPTANCE AT THE BACKDROP OF THE ALMOST-FORGOTTEN ART OF MANUAL FILM PROJECTION<\/strong>"},"content":{"rendered":"\n

Now Showing Exclusive at Ayala Malls Cinemas<\/strong><\/h2>\n\n\n\n
\"\"<\/a>
Olivia Colman in Empire of Light<\/figcaption><\/figure>\n\n\n\n

From Academy Award\u00ae winner Sam Mendes (1917, Revolutionary Road, Road to Perdition, Jarhead, American Beauty) comes a uniquely heartwarming film \u201cEmpire of Light\u201d starring Olivia Colman, Micheal Ward, Colin Firth and Toby Jones.  The film is part of Ayala Malls Cinemas\u2019 A-List Series, a curation of the finest films best experienced on the big screen.<\/p>\n\n\n\n

In \u201cEmpire of Light,\u201d Mendes has created two characters, Hilary and Stephen, played by Academy Award\u00ae winner Olivia Colman (The Favourite, The Lost Daughter) and rising star Micheal Ward.  Mendes has woven them into a story exploring some of the ties that bring us together \u2013 the music, the movies, and the makeshift families that get us through.<\/p>\n\n\n\n

At the beginning of the story, Hilary, played by Olivia Colman, has come out of a mental health episode that has put her on medication.  Hilary is a woman living with mental illness, and together, Mendes and Colman bring her to life with sensitivity, nuance, gentleness, and complexity. \u201cSam is so emotionally engaged,\u201d says Colman. \u201cHe understands what kindness is and that it is needed and what she\u2019s going through is not her fault.\u201d<\/p>\n\n\n\n

Simultaneously, Ward\u2019s character Stephen must walk through a racist world \u2013 but keeps true to himself as he finds an unlikely connection with Hilary, and with the cinema itself. \u201cHe\u2019s been rejected by universities and he\u2019s at a crossroads and trying to find himself,\u201d says Ward. \u201cWhen something like that is taken away from you, you have to find something else that fulfills you. He loves people, loves to connect with music and movies, and he refuses to allow an oppressive society to define who he is.\u201d<\/p>\n\n\n\n

\u201cEmpire of Light\u201d reunites Mendes with one of his most important collaborators: director of photography Roger Deakins (1917, Blade Runner 2049, Skyfall, The Shawshank Redemption).  Deakins also earned his latest Academy Award nomination for this film, making it his 16th-time Oscar\u00ae-nomination and with previous wins in cinematography for his works in (Blade Runner 2049, 1917).   A career-long user of ARRI cameras, Deakins again relied on Alexa large format cameras and its Signature Prime lenses, but with a key difference from his experience in filming 1917. \u201cOn 1917, we basically used one lens, because that was the whole concept of doing the film from one perspective. On this film, we\u2019ve used a wider range of lenses \u2013 35, 40, 47, in that range,\u201d shared Deakins.<\/p>\n\n\n\n

Today, the art of film projection has largely passed to digital, Toby Jones brings to life a character of Norman that represents an important part of film history \u2013 a projectionist, a character that is part of a time when films were projected by a skilled professional using two machines, with celluloid passing by an arclight, watching for secret signals to switch reels. Because Norman has been projecting films for decades, it was necessary for Jones to master the art. \u201cThere\u2019s an element of timing in it, as you switch between projectors, and of careful manipulation \u2013 how you hook up the celluloid as it passes through the projector,\u201d shares Jones.<\/p>\n\n\n\n

Continues Mendes, \u201dPeople talk a lot about shooting on film dying, but for me, the big loss is film projection. The projectionist gives the movie to the audience, and it\u2019s that sense that even if there’s only one person out there in the dark, they know there’s someone up there showing them the film, giving it to them. You talk to the projectionists and for them, they are part of the filmmaker\u2019s world. They see themselves as the last link in the chain.\u201d<\/p>\n\n\n\n

\u201cIn the middle of lockdown there was a racial reckoning in the world. We were left alone to contemplate how our own racial politics had been formed, and whether we had fallen down in our attempts to make sure the world was evolving. When I wrote the movie there was also another common obsession: we were all worried whether the cinema was going to die, along with live performances. So, all of those things have gone into this movie, and in that regard, it\u2019s quite raw,\u201d Mendes says.<\/p>\n\n\n\n

Watch out for more exciting films to be included in the A-LIST SERIES,  follow Ayala Malls Cinemas\u2019 social media pages on Facebook and Instagram for updates.<\/p>\n\n\n\n

#KeepAmazingMoviesGoing and book your tickets at www.SureSeats.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Now Showing Exclusive at Ayala Malls Cinemas From Academy Award\u00ae winner Sam Mendes (1917, Revolutionary Road, Road to Perdition, Jarhead, […]<\/p>\n","protected":false},"author":1,"featured_media":40598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,943],"tags":[6986,4191,8629,2311],"class_list":["post-40597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-movies-entertainment","tag-keepamazingmoviesgoing","tag-ayala-malls-cinemas","tag-empire-of-light","tag-movies"],"yoast_head":"\n\u201cEMPIRE OF LIGHT\u201d BEAMS ON KINDNESS AND ACCEPTANCE AT THE BACKDROP OF THE ALMOST-FORGOTTEN ART OF MANUAL FILM PROJECTION - Team 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